Showing posts with label Interviews. Show all posts
Showing posts with label Interviews. Show all posts

Sunday, June 12, 2011

RUN DMC - DMC & R.I.P. Jam Master Jay Extremely Rare 1990 Video Interview *The Kool Skool Exclusive*


Mural by Wisher ID Crew in Brixton Market, South London UK
Run DMC - DMC & Jam Master Jay "Back From Hell" Era Interview 1990 *Extremely Rare* *Sound is low for 1st minute*
R.I.P. Jam Master Jay



DMC & JMJ discussing "Funki Dreds", the International appeal of Hip-Hop, being Role Models, advice for young `people, and their respective Record Labels and the future of Rap. Jam Master Jay's label JMJ Records was home to The Afro's Onyx and 50 Cent. From German T.V. Promo.

**Uploaded for Educational Purposes only!!! Will remove if requested**
*Extremely Rare*

http://thekoolskool.blogspot.com
http://www.rundmc.com

The track at the beginning is DJ Lord of Public Enemy cutting up Run DMC
http://www.myspace.com/djlord
http://www.publicenemy.com

Many thanks to Solo One for Footage
http://soloone.blogspot.com (less info)

Thursday, May 5, 2011

The Kool Skool's Shucks One Interviews South London Graffiti Legend Char DTB (Rare From 2004)


Tkow/Char 2010
The Kool Skool's Shucks One Interviews South London Graffiti Legend Char DTB Rare From 2004


To read, click on image & zoom




Tkow 2009


The Interview originally featured in Undercover Issue 12 July 2004

Wednesday, March 30, 2011

The Kool Skool Interviews The F-9's Uncle B Nice aka Lyric-el (Exclusive Video)


The Kool Skool Interviews The F-9's Uncle B Nice aka Lyric-el


The F9's were DJ Riza (Left) & Uncle B Nice aka Lyric-el (Right)

The Kool Skool's Shucks One interviews UK Hip-Hop Legend Uncle B Nice aka Lyric-el, a Foundation MC, Beatboxer, Lyricist, Vocalist and Youthworker. One half of the Brit Core group F-9's, alongside DJ Riza they were known for Battle Raps, Lyrical content, sophisticated Production, and for opening for Ultramagnetic MC's London Show. Early on Uncle B Nice was well known on the Battle Rap circuit, and his versatility as far as being an MC, Beatbox and Vocalist. The F9's released a 3 Track EP and Album on the Legendary Independent West London Label, Kold Sweat, the home of much of the cream of the early 90's UK Hip-Hop scene.


The Kool Skool hooked up with U B Nice, he talks Old School VS. New School, Grime, The UK MC identity, Computer Games, Originality and drops Jewels for up and coming Musicians.

http://thekoolskool.blogspot.com
http://www.djriza.com

Additional camera work by Tizer One ID
http://tizerone.blogspot.com



Yo Masika RCS

Monday, December 20, 2010

The Kool Skool's Shucks One Interviews Conscious MC Jasiri X



The Kool Skool's Shucks One Interviews Jasiri X

For years now, day by day, the sinister Corporate mentality has infiltrated this revolutionary form of expression. MC's, turned Studio Gangstas spitting the word "N****a" like an adjective, and where the only use for women in the genre is for pouring Champagne on!!!" Recently, however there has been a subtle shift back towards towards the more, Conscious aspect of Hip-Hop culture, and Pittsburgh based MC Jasri X has worked hard to build within that movement, putting him up as a important, fresh voice in the rebirth of Conscious Hip-Hop.

Jasiri X has taken the position of an upright beach-head against the tide of 10% ignorance programming. Being a maverick is not an easy place to be, stuck between a rock and a hard place, Jasiri X is defying the Status quo, refusing the path of the least resistance, standing firm for his beliefs. Jasiri X has gained much attention for his "This Week With Jasiri X", a critical look at the mainstream media and Current Affairs in a Hip-Hop fashion, co-Produced by
Paradise Gray aka “the Arkitech” of X-Clan. X-Clan was one of the original Conscious groups, known for blending Funk breaks, with thought provoking rhymes, and Pan-African thought. Jasiri X is also working with Paradise Gray on the Grassroots organization 1Hood with Hip-Hop Activist Davey-D.

Jasiri X is also a vocal supporter, and card carrying member of the
Nation Of Islam, sometimes referred to as "The Lost And Found Nation of North America". The N.O.I. has been surrounded by much controversy, though behind the inflammatory headlines, it has undeniably done much to improve the mental, and spiritual state of the African Diaspora worldwide, and has had a enormous influence on the Hip-Hop generation in general.

This industrious MC granted us a few moments of his time to discuss his recent signing to Wandering Worx Music, his many projects, the right wing so-called "
Tea Party" movement, his influences, books, Knowledge of Self, Buffoonery in Rap, and the apparent image Assassination of The Black Male in the media. 2011 is guaranteed to be big year for him, and we were grateful to get an idea of the man behind the X, and what makes the modern Conscious MC.

******************************************************************

Shucks One: Ok, lets start with the foundations, what set you on this road, what made you want to use MCing as a way to communicate to the world?


Jasiri X: Gaining Knowledge of self, once that happens you realize the importance of using your talents to uplift and help our community.


Shucks One: Who were the MCs that inspired you as a youth?

Jasiri X: KRS-ONE, Nas, Wu-Tang, Rakim, X-Clan, Slick Rick, Public Enemy, Kool G Rap, Big Daddy Kane, Biggie, A Tribe Called Quest, and Mobb Deep.


Shucks One: Many of the people who visit The Kool Skool are true heads who know their history, and are knowledgeable with more obscure artists. Were there any artists that might be a bit forgotten by time, but had a big impact on you, that people might not be familiar with?

Jasiri X: Great Question! One of my favourite albums of all time was “Slaughterhouse” by Masta Ace, I think it’s a classic but it often gets overlooked.


"Slaughterhouse” by Masta Ace

Shucks One: How would you describe your role in the scene? Are you a “Conscious Rapper”, some MCs have problems with that title as it separates them, are you just an MC?

Jasiri X: I’m definitely a Conscious MC I want to be separated from what passes as Hip-Hop nowadays. I think the term is used very narrowly and you could argue on certain levels MCs like Jay Z and 50 Cent can be classified as conscious.


Shucks One: Elders of the Hip-Hop movement I have interviewed discuss the fact that the original concept of Hip-Hop was the importance of Unity, that everyone was involved in the “party”. Where has that Unity gone? Is it still there, and how are you trying to manifest that in a modern age?

Jasiri X: It’s there on some levels, regionally you have seen artists come together and have national success, but what usually gets in the way is money and shady business practices. We’re definitely trying to bring it back but ironically the most difficult community to find unity in is the so called conscious community.


Paradise Gray aka “the Arkitech”

Shucks One: You have been working with Paradise Grey aka “the Arkitech” of the group X-Clan, how did that come about, and how important is it for you to have a working relationship with the Conscious community?

Jasiri X: I found out he lived in Pittsburgh and it blew my mind, like the Arkitech from X-Clan lives down the street? Finally I got a friend to take me to hi studio a few weeks later we drove to the Millions More Movement together and form a strong bond. From there we started organizing in the community before we started doing music together that came later. I think it’s important to have a working relationship with the Conscious community but equally as important to have working relationship with the hood.

Shucks One: How important is it for you to use this art form as a vehicle of change, or at least a forum of discussion.

Jasiri X: It’s why I do music. To do it for any other reason is vanity.


Real Gangstas by Jasiri X

Shucks One: In your song “Real Gangstas”, you point out that we are bombarded by “Hollywood Gangsters”, Rappers throwing up Gang signs and the eons of Gangster characters in films. In your opinion is that by design?

Jasiri X: Absolutely, one a simple level sex and violence sells. On another level the prison industrial complex is the biggest business in America so to make criminal behaviour cool guarantees a full house and more money.

Shucks One: Humans are incredible beings, and are capable of many ways to express our positive aspects. To some people it feels like much of modern popular culture is geared towards only expressing and promoting our lowest attributes, Lust, Violence, Greed and Ego. Do you have any thoughts on that?

Jasiri X: I agree 100%! Everyday we’re being dumbed down by the mainstream so people only seem to think on those low levels. Sadly most people don’t even read anymore. So unless someone teaches you how to express yourself on a higher level how will you learn?


Silent Night (Do Rappers Watch the News?) By Jasiri X

Shucks One: I have been observing recently how many of the “Golden Era” Conscious MCs are becoming more “Thugged Out”, and have toned down their upright message. You get the impression that as the culture digressed in the early 90’s to “40’s & Timbo Music”, then just all out “Gang Set Rappers” and the recent “Swagger Rap” styles, that the Golden Era MCs feel they are trying to find a position to play. I have heard some say they have moved on, or don’t want to be “Party Wreckers”, meaning they are always appear to be the bearers of bad news almost. Is that a cop out in your opinion, or, just a fact of life?

Jasiri X: Both, it’s a cop out because it shows that they never truly believed the message they were presenting in the first place, but the reality is it’s a music business and there is no pension for these rappers. So some are just trying to feed they’re families.

Shucks One: A lot of people are asking where has the fun and intellect gone in Hip-Hop? You watch videos by these middle aged Ice Grilling Platinum Rappers, waving pixilated automatic weapons in their out of town Mansions, filling the trunks of their super cars with duffle bags of freshly minted bank notes and the blatant devolutionary role of women in the culture. What is the purpose of all of this on the grander scale of things? Are you concerned of the effect that this is having on the image of African American men not just in the US, but world wide?

Jasiri X: Of course I think it’s purposeful to use black man as the scapegoat for this falling economy and society. Also to keep the prisons packed because they make so much money from incarcerating our people. Lastly it keeps the black man from never learning his true self and power as the Original Man, Maker, Owner, Cream of the Planet Earth, God of the Universe.


This Week With Jasiri X

Shucks One: One of the things about how you market your music is the utilization of the self-sufficient use of tools of YouTube, etc.
You are particularly famous the weekly online Hip-Hop news program “This Week with Jasiri X”. How did that idea start and how has the feedback been for that project?


Jasiri X: It started because we wanted to first come out with a new song each week, but being an artist with a message we wanted to touch on relevant topics. Secondly we saw how these right wing media outlets were spinning the news to fit their narrative and we thought we can do the same thing accept show the truth. The feedback has been incredible and it definitely has grown much bigger than we ever imagined.


Shucks One: At a time when many artists are trying to become “independent”, you have just signed a deal with
Wandering Worx Music. What are you hopeful that the Record Label can do for you, that you can’t already do for yourself through the independent route?

Jasiri X: I hope they can introduce me to a wider audience especially being they are based in Canada. Plus my album is a lot different from the videos I’ve been doing so it will be interesting to see the response to it.

Shucks One: Obviously like many MCs you do sometimes ride over popular rhythms, but you also have a back catalogue of your own music, who does your impressive beats?

Jasiri X: I have been blessed with some great producer. Rel!g!on is one, he produced my album and is part owner of Wandering Worx. Cynick Lethal produced my most popular videos “What if the Tea Party was Black?” and “Republican Woman” also King Sym who did a majority of Season 2 and a few tracks on Season 3 including are Season Premiere, “The Only Color That Matters in Green”.


Palin Packin'

Shucks One: Your new song and video “Republican Woman” is hilarious! You have been openly critical of the “Tea Party Movement” in the past, how much of this “Movement” is down to racial fear of President Obama and scapegoating, and how much of it is manufactured descent, and if so who benefits?

Jasiri X: I think all of it is manufactured because it’s so well funded by billionaires like the Koch Brothers, who are using these foolish people to push policies that enable them to keep more of their money. It benefits these huge corporations who are making record profits at the expense of the poor people of the earth.


"Revelationz 1"by REL!G!ON

Shucks One: You featured on the producers REL!G!ON album entitled Revelationz 1, which is an excellent album and has a collection of progressive heavy weights like NY Oil, Chuck D (Public Enemy), Planet Asia, Moka Only and others. How did you hook up with REL!G!ON, and do you plan to work with him in the future?

Jasiri X: I was introduced to him by NYOIL. He would email me beats and I would turn them around pretty quickly. He liked quality of my songs and my work ethic so he said let’s do an album, the result is “Ascension” which should drop on Wandering Worx in 2011.


Shucks One: Who would be your dream top 5 Producers you would like to work with?

Jasiri X:
1. DJ Premier
2. Kanye West
3. Just Blaze
4. DJ Toomp
5. Jake One


Shucks One: What about your top 5 MCs you would like to do a collabo with?

Jasiri X:
1. Nas
2. KRS-One
3. Raekwon
4. Immortal Technique
5. Lauryn Hill



Shucks One: I watch a lot of so-called “Knowledge DVDs”, that is documentaries from the conscious angle, but read books from all genres History, Metaphysical, Conscious etc. I was personally concerned when recently someone said in their lecture “I’m doing this knowledge, I’m watching these DVDs”, as in, that is the be all and end all of seeking knowledge. What would you say is the importance of reading books, not just as an MC, but as someone seeking Knowledge of Self?

Jasiri X: You can’t truly gain knowledge of self without reading. Plus I encourage all MCs to read because words are our weapons and the more words you know the better rhyme you can write.


Shucks One: If you could suggest 5 books that your fans should read, what would they be and why?

Jasiri X:

1. Message to the Blackman- Elijah Muhammad has produced some of the greatest leaders we’ve known.


2. The Isis Papers- Dr. Frances Cress Welsing breaks down racism and hidden symbols, you’ll never see the world the same.


3. Dark Alliance –Gary Webb shows how the US government sold crack cocaine to fund an illegal war.


4. The 48 Laws of Power. by Robert Greene and Joost Elffers –helps to see how through deception the powers that be stay in power.


5. In The Name of Allah: A History of Clarence 13X and the Five Percenters - great history lesson by Wakeel Allah.


5a. Rich Dad, Poor Dad by Robert Kiyosaki and Sharon Lechter - best book on money I’ve ever read and I majored in Economics.


"JUST A MINSTREL" by JASIRI X Ft. Isada Tariq and Living Proofe.

Shucks One: In your video “Just A Minstrel” you have a snippet of Bamboozeled by Spike Lee. That is an amazing movie, since that movies release, it was almost ignored, and he has almost disappeared. How easy is it for the Major Label system to bury more enlightened, and challenging ideas? As an underground artist, how concerned is it for you that its difficult to reach a wider audience with your art?

Jasiri X: It’s harder now because with Youtube, Facebook and Twitter they don’t have the same amount of control over who hears what. The best way to not be buried by a major label is not to sign with one lol. It’s more difficult to reach a wider audience for me because I don’t have a million dollar budget. That’s why sites like yours are so important to my success.

Shucks One: Maaaaan! T-Pain and Sean Hannity???!!!! That is crazy! Actually painful would be a better way to explain it. For those people who might not be familiar with who Sean Hannity is, can you explain who he is, and why did you feature that clip in the “Just A Minstrel” video?

Jasiri X: Sean Hannity is one of the biggest haters of President Obama and a right wing racist. He has a show on Fox News where he parrots the republican talking points and hates on any black man that has an intelligent opinion.

Shucks One: I have talked to many in the older generations of Hip-Hop, they have discussed the problem that now when you are critical of anyone, or anything in Rap culture you are being a “hater” or suggest that you are jealous of other peoples success. How would you respond to that? Are modern successful Rappers beyond criticism, or does it more express a shift in how we measure modern success?

Jasiri X: I think when people say “You’re a Hater” it means they can’t rationally argue against the truth you’ve spoken. Sadly we do live in a time where we put money over art so if something makes money we feel like if its criticized it because the person is jealous because they’re not making as much. It shows how much the art has been commercialized.


"American History X" By Jasiri X

Shucks One: In your song Universal Ruler, you say; "I wear my X proudly, was lost but God found me", you allude to your receiving of an “X”, and are a very vocal representer of The Nation Of Islam. For you what is the significance of your X, and for those reading this who are not aware of its attributes, what does it mean?

Jasiri X: The significance to me is it represents a body of knowledge that saved my life and totally raised my understanding of the world around me. That’s why my logo is an X with an eye in the middle because getting my X opened my eyes. For those that don’t know it represents the unknown. We don’t know who our ancestors were because they were stolen and made slaves. Their names were taken from them, so when we come into the Nation we learn our last names are those given to our ancestors by the slave master. They’re not our names so we take the X to say our real names are unknown.

Shucks One: How does your role in the N.O.I. fit in with your music? Is it complimentary, or are there challenges, how has your music been received within the Mosque?

Jasiri X: It’s definitely complementary; I don’t know any other spiritual leader that sees Hip-Hop in its proper context other than the Honorable Minister Louis Farrakhan. Wise people see the influence of Hip-Hop and how it can be used as a tool to free the minds of our people.


Minister Louise Farrakhan at the annual N.O.I. Saviour's Day

Shucks One: Obviously in the past there were many rappers sampling Minister Farrakhan and professing the N.O.I., but not so much anymore. In fact you are probably the only N.O.I. MC I can think of at the moment. Why do you feel MCs you see at Savior’s Day and other events not more vocal about their affiliation in their music?

Jasiri X: Real Talk some rappers believe that declaring their affiliation with the Nation of Islam will hurt their career and in my experience that’s simply not the case. I think some get scared and think that if they say they’re with the Nation they’ll lose their white fan base, but I’ve never had an issue with it. I’d be a punk if I was afraid to stand with the the Honorable Minister Louis Farrakhan, when he saved my life.

Shucks One: You appear to be so busy making music, videos etc, how do you find time to fit in your normal life, and is there any advice you could give to up and coming artists?

Jasiri X: I’ve been getting better at managing my time but I would say to any up and coming artist that if you want success in any field your gonna have to be willing to sacrifice time to do that.

Shucks One: When we see the release of “Ascension” the new Jasiri X album and what can we expect?

Jasiri X: Great production and lyricism. Real Hip-Hop!


X Lives

Shucks One: Where do you see yourself in a year from now?

Jasiri X: Hopefully doing the same thing I’m doing now but with a wider audience.


Websites etc:
http://jasirix.com
http://twitter.com/jasiri_x
http://facebook.com/jasirix
http://www.youtube.com/user/jasirix

http://www.myspace.com/jasirix



Many thanks to Big DO for putting us on the Jasiri X. Please check out THE BEST HIP-HOP BLOG hands down
purehip-hop.blogspot.com


Monday, December 6, 2010

The Kool Skool Interviews South London Writer Dicer TSM Author of New "Steel Canvas" 1987-1995 London Underground Train Graffiti Book


Dicer TSM

The Kool Skool Interviews South London Writer Dicer TSM Author of "Steel Canvas" 1987-1995 London Underground Train Graffiti book



"Steel Canvas" 1987-1995 London Underground Train Graffiti book cover

Dicer is an Old School South London Graffiti Writer, who is still representing the culture, by painting sick Burners, and giving back in the form of his amazing new Self Published "Steel Canvas" 1987-1995 London Underground Train Graffiti book. The book is crammed full of over 250 photographs of rare and unseen Train flicks from the golden era of London Graffiti. Dicer also known for rocking the infamous Battersea/Vauxhall/PatMore London Hall of Fame, took a moment to talk to The Kool Skool about his soon to be Classic Book, and legacy in the London Graffiti Scene.


Dice District Line in 1991


Dicer 2010

Hi Dicer, thanks a lot for coming by, for those not familiar with Dicer, could you tell us a little it about yourself?


Well, I've been writing graffiti since around 1985, the story follows along the usual lines of the American invasion of hip-hop into the uk, and myself starting graffiti. Although, I guess I am somewhat different to other London writers in that I didn't go to school with lots of writers and get into painting that way. Instead I simply went out on my own, racked paint, and did it by myself for my own gratification for many years. In 1987, I chose the name Dice, at the time it was more for convenience as 4 lettered names were popular and easy to write. Although it’s always been a bit difficult to bend and shape the letters too much as there's not much you can do with a D. In the early 90’s I battled for supremacy with my pieces on the District & Circle Lines writing Dicer/Diser, by the mid 90s my crew TSM (The Shag Masterz) were competing with the likes of DDS on the trains, in the late 90s disbanded. I painted a lot with Khans STD in the early 2000’s, Since then Ive been painting “freelance” as it were, with anyone and everyone, I still get a kick out of battling people on walls.


Dicer window down flames

Being that you’re a South Londoner, and traditionally the South is often over looked in its place in Graffiti History. Why is it that people seem to sleep on the South?

I guess it’s because historically there were no big halls of fame in the South to attract attention, but also the Holy Grail of train lines (the met) didn’t run down South, having instead a truly underground subway didn’t help attract writers to the area.


Soge 1994

Who are some of the South London legends and stories you remember?

When writers used to hit the Buses in South London, (84-86 era), there were some very legendary writers, namely Lazy Lady, Pest, Feend 219, and Dust. It’s a shame some of them didn’t graduate on to the train scene, as they probably would have been as big as Fuel and Prime.


Early 90's top to bottom

Why should New Schoolers care about the Old School?

Well, I wouldn’t expect anyone to “care”, but they should at least know as it stops their heads getting too big! People don’t realise half the time the stuff their bragging about doing has been done a hundred times before, and better! People were doing full colour top 2 bottom wholecars in 1986, by 1987 every yard had been slapped.


"Steel Canvas" 1987-1995 London Underground Train Graffiti book inside

What made you put this book together now?

My main motivation for putting “Steel Canvas” together was just to get the photos in print, before they disappear from history. I’d lost a ton of photos from broken hard drives, and actual photos had degraded, been lost, stolen, and given away. I felt like the curator of a graff museum, and it’s my job to restore these photos for future generations. My secondary goal, was to take graffiti back to looking at photo albums and books. The internet is now so saturated with thumbnails of grainy out of focus “old school” photos, the whole meaning has been lost in translation! Having photos of old school graff in a book is a way to bring it to the people and get them talking about it – people tend to huddle around a book, whereas viewing the internet is almost always a solo pursuit.


"Steel Canvas" 1987-1995 London Underground Train Graffiti book inside

That's a really interesting way to think about it. The internet has kind of devalued and even played out the action of looking at graffiti photos, also many writers nowadays have probably never seen a painted train in traffic. I have never seen a lot of the photos in Steel Canvas, whose photos are they, are they all yours?

They are 100% all my own. Any train you see in the book I personally saw running, probably tagged the inside, and occasionally maybe had a piece next to it too! I try to make it clear in the book, that unlike a lot of other publications this is the first time that a single person has made a whole book using (only) their own photos. I think it gives the book a certain authenticity, it would of been so easy to plaster the book full of train photos from my personal archives.


Dyse

For those of the internet generation, can you explain how writers got photos of other artists?

It was a lot different back before the net. A lot of a writers status was based on rumour and reputation, not actual hard evidence. Photos of trains weren’t banded about like they are now, they were very coveted, and secret. Us later generation writers looked up to writers like Fuel, Prime, Drax, Crash, Cazbee, Hate etc. Not because what they had done (the photos didn't emerge until after the year 2000 on the net), but because we had heard stories of whole trains, top to bottoms, yard chases etc. And to us aspiring train writers, they seemed like gods! You would always meet other writers out on the lines if there was something running that day. During the time period that the book covers, I rarely saw any of the old school train photos that seem so familiar now, and are freely available on the net. Writers would arrange to meet up somewhere like Covent Garden and bring photos along and generally they would swap the ones that were bad angle shots or out of focus keeping the good ones for themselves. Unfortunately, this practice has since backfired, as a lot of the only surviving old school train photos are the ones that the writers discarded in swap meetings, due to the originals being destroyed by BTP after house raids. Over the years even these poor angle shots and out of focus shots have become more prized. So they have been color copied and duplicated to the point were the quality has suffered so much, so the piece is just a blurry blob on a bleached out train. Nowadays we are more clued up because of the internet, we can see exactly how many train pieces so and so crew or writer has done back in the day (or so we think), but we must always bare in mind that whatever you see in photos is only ever 40 - 50% of the whole story. So just imagine how big writers like Kast were in his day!


Panels sitting in Parsons early 90s

How important is it for the UK scene to support books like this?

It is important in the sense that it is “your” Subway Art! We’ve never had one, and this is as near to it as there is (at the moment).

How is Steel Canvas selling?

I am happy to say that it has sold surprisingly well. Looking back I was a bit naive to think I would only sell a handful to friends and family, I thought it may get lost in the sea of graff books out there, but people have been very supportive and I thank you all.


"Steel Canvas" 1987-1995 London Underground Train Graffiti book inside

Where can the people get a copy of Steel Canvas?

As it’s a self-published book, the amount of actual books in print are very low. The only place to buy “Steel Canvas” at the moment is from Chrome & Black, otherwise its mail order from the publishers; http://www.blurb.com/bookstore/detail/1663511or from the website; http://www.steelcanvas.webs.com/ It retails around £25 - £30.

With the success of Steel Canvas, have you got there any more book in the works?

There are certainly more books in the works, but I can’t tell you exactly what, as I like the element of surprise!

"STEEL CANVAS" - London Underground Graffiti 1987 - 1995
COVER: SOFT BACK
ORIENTATION: LANDSCAPE
DIMENSIONS: 10" X 8"
PAGES: 120 Full Colour pages, with over 250 photographs



Spook Photo courtesy of Imerse ID
The Battersea Hall of Fame was a major illegal Graffiti Hall Of Fame in the dark depths of South London from the early 90's to around 2002,
Battersea/Vauxhall/PatMore London Hall of Fame R.I.P. in depth article, photos and memories by Dicer HERE


Get your copy of the "Steel Canvas" New London Train Graffiti Book while it lasts at London Graffiti Shop Chrome & Black or at the Websites below:

http://www.blurb.com/bookstore/detail/1663511

http://www.steelcanvas.webs.com

http://www.flickr.com/photos/dicer87

Wednesday, December 1, 2010

Rare Magazine Interviews with MC Shan, DJ Cash Money & Doug E. Fresh with The Kool Skool's Shucks One + Walt "Clyde" Frazier with Paul McKenzie


MC Shan Rocking Dapper Dan Puma Suit, "Shirt King" Portrait Sweat Shirt, Gold caps, Fade & shape-up parting. Can you get more fresh in 88'?!

"For those of you who are unfamiliar with my history, I have interviewed over 200 Hip-Hop artists, B-Boys, DJs, MCs, Graffiti Writers, Producers, and Film Makers over the years, for Film, Radio, Magazines and Magazine features. After being told I "knew too much about Hip-Hop to be a writer for Touch Magazine" which described itself as "The Original UK Urban Music Magazine"????!!! In 2005 I was asked by the same Touch Magazine, to interview 3 of really influential Hip-Hop Legends in one afternoon!!! It was one of the highlights of my "Career" as a Hip-Hop Journalist (whatever that means).

I had the chance to meet their manager Grand Imperial Arkim, better known as one of the first rappers from Queensbridge, on Vinyl. Arkim was famous for his songs with Legendary Queens DJ Hot Day, he broke down some Queensbridge Rap history for me. It was a really good day, hearing MC Shan one of the funniest guys in Hip-Hop joking around with and Basketball Legend Walt "Clyde" Frazier Superstartar Pro Baller over lunch, about (his classic signature shoe Puma Clyde's aka States). "Yo how in the hell did you play Ball in them dude. I can't believe you never broke your ankle just walking in them???!" Good times, I will be editing them and many more for broadcast on The UK's Best Hip-Hop Radio station www.Sensei.fm soon!" - The Kool Skool's Shucks One ID UZN

Rare Magazine Interviews with MC Shan, DJ Cash Money & Doug E. Fresh with The Kool Skool's Shucks One + Walt "Clyde" Frazier with Paul McKenzie


Walt "Clyde" Frazier Interview with Paul McKenzie Page 1


Walt "Clyde" Frazier Interview with Paul McKenzie Page 2


DJ Cash Money Interview By Shucks One
Cash Money is my favourite DJ, the first Turntablists DJ I ever really saw (yes on Night Network), and I had lots of questions for him. He broke down the Phillie Hip-Hop scene and in particular, the DJ's role in that, influential Radio personality Angie B, his winning of the New Music Semenar, Sleeping Bag Records, and modern DJs. A real honour

The Kool Skool Hip-Hop Legend Interviews - DJ Cash Money (Teaser) (Radio Show Download) Listen

here


MC Shan Interview By Shucks One
MC Shan is one of the funniest don't give a fuck MCs I have ever met, he talked about Beefing with Hill Top Hustlers (Steady B/Cool C etc), LL Cool J, BDP and anyone else, Marley Marl's "lost and found" Bridge is over Reel. The interview was over an hour long so there was A LOT that didn't go in the mag. Watch this space for the entire interviews in audio format!!!


Doug E. Fresh Interview by Shucks One
Doug E. Fresh is one of the coolest and positive guys out there, he told me about the history of his "Get Fresh Crew", his many Community works, 1/2 Trini, 1/2 Bajan heritage, again proving the Caribbean elements of Foundation Hip-Hop Culture and more.


The Interviews featured in Touch Magazine November 2005 (practically took me until 2008 to get paid hahaha!)


Going Straight Up - Hot Day ft. Arkim, (MC Cor) Cormega and Shahid (OLD SCHOOL QUEENSBRIDGE)
Album cut from DJ Hot Day's 1989 album "It's My Turn" on Tuff City records. This was Cormega's first official song, performing as MC Cor.

Friday, October 8, 2010

"The Kool Skool Interviews" - Execution Squodd (Rare Radio)


Execution Squodd - "Sold In The Streets" & "Still On Road"

"The Kool Skool Interviews" - Execution Squodd

*Exclusive to www.Sensei.FM* The Kool Skool Radio Hip-Hop Legends Interview Specials Listen/Download here

The Kool Skool hosted by O Double Ess The Genius & Shucks One the Idiot featuring Sqrewtineer, Face, Pioneer and Emaqulate, of "Crackney's Finest" Execution Squodd Interview & Freestyle live in the studio. Originally aired on ITCH FM in 16/3/02. The Execution Squodd were a Hip-Hop crew that really became successful in the UK Mixtape era, their Debut album "Sold In The Streets" was distributed exactly as the title suggests, and went on to go Ghetto Gold. They became closely involved in the "Mother's Against Guns" Movement, and led to a a U.K. wide tour with Ms. Dynamite, and several T.V. appearances. Very organized and professional, the Crew went on to become founders of the U.K.s Underground Hip-Hop Cable Channel - "Channel U", a Hip-Hop Music promotion company, and are still heavily involved in the industry now.

The show also includes 2hrs of Old and New School Hip-Hop including: Black Sheep, Grand Puba, Lost Boyz, Beatnuts, Jungle Brothers, B.D.P., Fu-Schnickens , Lord Finesse, K.R.S. One, O.C., Black Moon, Main Source, Execution Squodd, Black Star & many more!


Unreleased Execution Squadd Questions video 2005


Sensei.fm

Friday, October 1, 2010

LL Cool J "Mama Said Knock You Out" Era Interview 1990 *Extremely Rare* (Video Interview)


LL Cool J "Mama Said Knock You Out" Era Interview 1990. In the video Ladies Love discusses Spirituality, Acting and the future of Rap. From German T.V. Promo. You know the deal its from the Hip-Hop Grapevine. No further info...

Many thanks to Solo One for Footage
http://soloone.blogspot.com


LL Cool J "Mama Said Knock You Out" Era Interview 1990 *Extremely Rare*

Monday, August 30, 2010

The Kool Skool Interviews Tame One - Boom Skwad (Ex-Artifacts)



The Kool Skool Interviews Tame One Boom Skwad (Ex-Artifacts)

Despite the long history of quality underground artists, it took Redman's 1990 collabo with EPMD, for New Jersey to get some serious love out of the Tri-state. MC, DJ and Graffiti writer Tame One's a New Jersey representer all the way, who's been getting up, and throwing down for some time, just across the river from the Big Apple.


The Artifacts (originally The Brick City Kids) Press shot

In 1994 alongside El Da Sensei, their group The Artifacts (originally The Brick City Kids) slotted smoothly into the weed headed, Timbo-clad "keep it real" era. Punters were getting tired of the shouty chorus based tracks of that time, and the brothers from New Jeruse brought the skills, art and elements back. Artifacts became part of new generation of real East Coast hood MC's getting their shine on.


Wrong Side Of The Tracks single cover

Their first single Wrong Side Of The Tracks can be considered a bonified classic not just because it was a heavy track but for several reasons:

1. It was one of the first proper Graff based records; an element long ignored by the MC population.
2. It became a Graf writers anthem, who in turn showed the group love.
3. The cover featured a slick mock up of Artifacts train piece by New York writer Reas [AOK], and started the rumour mill going… "Did Artifacts do it?!" "Can they paint as well as they rap?!"
4. The Artifacts tore down the now legendary 1995 Rock Steady Crew Anniversary Jam, gaining them serious true school respect.

Their first album, "Between A Rock And A Hard Place" (1994) was on Big Beat Records, (also home to New Jersey group Double X Posse). Another single of the album "Come On Wit Da Git Down" also featured a Busta Rhymes appearance on the remix, I imagine a pretty pricey guest now.


The Artifacts "That's Them"

The Facts second album "That's Them" followed in 1997, and the [DITC's] Show Biz blessed them with Remix club smasher "The Ultimate", a standard in any mix set of that era. The two parted ways after, and Tame continued on the long haul alone, and what with some of the recent not so subliminal dissing, a re-united album looks highly unlikely.

A series of releases on the High & Mighty's independent imprint Eastern Conference Records, solo LP's "When Rappers Attack", and a collaboration with Cage for the Leak Brothers project "Waterworld." Tame also ripped a sick verse along side J-Zone, Cage, Mr. Eon [High & Mighty] Mad Skillz and others on the 2001 Posse cut "Eastern Conference All Stars."

Tame One "O.G. Bobby Johnson"

2005 brought the DOPE "O.G. Bobby Johnson" solo album, an over-looked gem, and really defines the versatility that can be achieved by a real MC, and an open mind. This year, Ahead Records released a new "Spazmatic" solo but strength in numbers is now his modern mantra, as he puts in work as a member of the Weathermen, and Slow Suicide Stimulus (with the Dusted Dons) for several recent and upcoming projects and tours.

MC skills are not the only thing he is known for, getting live on the decks, dope handstyles and pieces got him rockin' with some of the best graffiti crews New York has ever seen, FC, TC5, and [like Kool Sphere] he's CWK too. To continue our mission to support the real art, we copped a few with the Knotty Headed Terrorist, and mixed it up on his favourite elements.


Tame One Piece

What do you write and what crews are you connected to?



Tameone, LTD, NRG, FC, TC5, QM8, CBS, CWK and the Boom Skwad.

What area are you from and when did you start writing?

Newark, New Jersey, [and I started in] 1980.

Who was the first writer that got you interested in graff?

2 Nastie Nas a.k.a. Jerry Jinx, out of Newark, NJ.



For people who don't know that much about the New Jersey scene, what was it like back in the day?

It was real competitive for "choice spots" to have your work seen. North Jerz (Essex County) had its spurts of activity, it seemed as if every other summer, another duo would start a new crew, and team up to bomb all city, only to be replaced by a newer duo from another neighbourhood. There was more emphasis on actual piecing back in the late '80's - early '90's, as compared to nowadays, more tagging and throw-ups are being done.



Were New Jersey writers accepted by the New Yorkers?

Yeah, the ones with either skills, the balls to hang out in NY, or the ones willing to play "your guide" for NY cats looking for new areas to bomb, rack paint from, or get drugs from cheaper.

Did a lot of Freights get done?

Not by me, I hate Freights, only because after you're done painting, the chances of ever seeing your piece again are slim to none.

What would you say is "the Tame One style"?

Readable with a distinct flavour, the original Bronx-style.



Are there any memories that stick out from back then?

Freshman year of Arts High School, I bombed the school so hard. I single-handedly caused the banning of the marker as a medium, for any artists from 9th grade through 12th!!!

You're down with a lot of serious crews, what do you feel are the benefits?

To be able to create with similar minded artists I respect and/or admire.



Do you feel that graffiti has changed?

Paint colours are more vibrant now, and artists push the envelope, experimenting with wilder styles (depending on their location).



Has being a writer as well as an MC changed your life in any particular way?

It has influenced me socially, in relationships with dealing with groups of friends or crews, as well as rivals.


Black Book Mathematics

What do you feel you get from doing graff?

Self-expression, self-gratification, and disregard for the socially accepted, and as further inspiration for personal self-expression in general. I record for fame. I do graffiti for me.

How did you first get introduced to the music industry?

Pursuing and then obtaining a recording deal in 1993.



Can you name some of the artists you have worked with in the past?

Redman, Busta Rhymes, George Clinton [Parliament], [and graff writers] Gnome CWK [designed covers for T La Rock & Just-ice] and West FC. [I toured with] The Beatnuts, Organized Konfusion and Common.

Who were the coolest MC's/DJ's that you met back then?

DJ Rockraider, DJ Sinister, Hard To Obtain, Busta Rhymes, Kurious, Cage, Lord Finesse and Brand Nubian.

What would you say has your best show?

Just to irritate you, I'm going to say I haven't done my best show yet. [Career wise] I still haven't made it yet. I'm still grinding!!!


Tame One T-shirt design

As an artist do you design your own record covers as well?

I don't do the album covers; I leave that up to other members of my crew Boom Skwad. But [I like] the "Tame1 tag" on my merchandise (t-shirts etc), because it's my actual graffiti tag worn as a "moving canvas".



Are you bringing any new music coming out soon?

Probably not until winter '06, but until then [I'll do] a few mix CD appearances or collabos.



Is there anything you would like to plug?

My Boom Skwad Crew, Slow Suicide Stimulus, The "Weathermen" and Division East Clothing Line.

Tame One's website


Also check out The Kool Skool Interview with Kool Sphere, who cut his teeth as both a graffiti writer riding the 7's surviving local hood wars, and later on battling MC's live on New York College radio. Here

Interview originally released here on 06.12.06 words: Shucks One